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Dentist Practice Management Economics Adviser’s Secret Weapon In Dental Marketing Business

by

Ed O Keefe

In this article, dentist practice management economics adviser Lloyd Irvin will share to you his secret weapon in dental marketing business. The dentist practice management economics adviser will tell you why he loves this secret weapon above all else in the business. And the dentist practice management economics adviser will also share to you the advantages of using this weapon so that you will be able to achieve success in your business. And this is something that we focus specifically at our dentist practice management website!

The dentist practice management economics adviser’s secret weapon: SEO

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As a dentist practice management economics adviser, the secret weapon that I love in the business is definitely SEO (or Search Engine Optimization). What I’m always excited with SEO are the price points that are far less than what you’re doing. With my e-mail, I’m always excited about the $15,000.00 or $20,000.00 case size; because if I were a dentist, and I know what to do with SEO, using every key word that has anything to do with any of my business (local or national), then I’ll be number 1 and I’ll dominate the search engines, and the majority of the traffic will come to me! In here, if you know what you’re doing, then it’s like getting free money! And the good thing also is that if you know what you’re doing, it gets better and better with time! Your job is to get into the free search engine site, and lock your place in so no one can ever come back behind you and bump you down.

Like my personal friend who does importing/exporting in China, he’s number 1 the majority of the time. He’s a very, very highly competitive marketer. I mean, smart people are working as smart as they can! While he stays at the number 1 spot, he does $4 million a month. When he goes to the number 7 spot, he goes to $80,000 a month. Now, you understand how important it is for him to try to maintain the number 1 spot, right? And anywhere in-between the money is as crazy; one month he’ll do $4 million… and if somebody bumps him down to the number 2 spot, he’ll do $2 million. And that’s a lot of money to lose, so they’re always focusing on it. So it’s the same thing for you in your business: as a dentist practice management economics adviser, what I always tell people is that if you’re not on the front top 10 page, or you’re on the front 1st page, and you’re website is not converting, you’ll know that you’re losing money! If you get $20,000.00 a month, then you’re losing a lot of money. It’s like going to your bank account and someone’s taking $20,000.00 out per day! Conceptually they are, it’s just that you don’t feel it!

Now, what most people do is that they get one website, then they put that one website up. And I see some people are on the front page, and then I even try still. Why? It’s because they’re so small, it’s not competitive, and no one’s really working! If you can get into the front page without even trying, and somebody decided to look on a low level, why not put up 2 websites? Or 3 websites? Or perhaps 4 websites? If you have 4 websites that are on the front page, then you are now in for the top 10 positions! So as a dentist practice management economics adviser, what I tell people is that any local business that uses this advanced strategy in their businesses or their market will dominate for a long time (no matter who comes along). The reason why I can tell you for a long time is because you want to position yourself and think of it as a war, because if you get a number one ranking, and somebody comes back behind you and knows these strategies, and you’re not doing it to the fullest, then the next thing you know is that you get bumped! And they’re doing what they’re supposed to be doing, it’s hard to maximize because they’re really doing good. So use SEO as a secret weapon in order for you to gain the number 1 spot in your business at all times… and defeat your online competitors!

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Tuesday, May 31, 2005

One thousand residents of the Defense Department-managed Armed Forces Retirement Home in Washington, D.C. filed a class-action lawsuit on May 24, asserting that the cut-backs in medical and dental services imposed by Secretary of Defense Donald Rumsfeld are illegal. The operating budget for the home was reduced from $63 million in 2004 to $58 million for 2005. The residents cite cuts in on-site X-ray, electrocardiogram, physical and dental services, and the closing of the home’s main clinic and an on-site pharmacy.

Chief Financial Officer Steve McManus responded that the changes not only save money but also achieved improved efficiencies. “We’re really trying to improve the benefits to our residents,” he said.

Most of the home’s costs are paid for by a trust fund and monthly fees paid by residents. By law, the Armed Forces Retirement Homes are required to fund, “on-site primary care, medical care and a continuum of long-term care services.”



Wednesday, January 30, 2008

The Blue Man Group issued a press release Friday morning refuting a man’s claims that they forced a tube down his throat as part of a show.

Earlier this week, audience participant James Srodon filed a court claim in Cook County Circuit Court that members of performance trio forced a dirty tube down his throat against his will while he was part of a skit called “Esophagus Video.”

The description of the incident is not true, says the musical performance group.

“We are shocked and surprised to learn of the allegations made in reference to one of our comedic pieces, ‘Esophagus Video,'” the group said.

Srodon claims that he was unexpectedly approached and had a tubular camera forced down his throat during an October 2006 performance at Chicago’s Briar Street Theatre. He claims he had his head was forced back and one of the Blue Men forced the tube in him. The joke is to show footage from the inside of the audience member.

The Blue Man Group says that nothing actually goes down anyone’s throat.

” ‘Esophagus Video’ is simply an illusion,” the group wrote in its press release. “A camera is held in an actor’s hands, the actor’s hands are placed near an audience member’s mouth (not on or in). The live-feed video screen then switches to a pre-recorded medical video, resulting in the hilarious and absurd illusion that the audience is peering down an individual’s esophagus. Because the camera never enters the mouth, the execution of this illusion could not possibly put anyone at risk of injury.”

The group added the skit and skits like it have been performed for the past 15 years by them without complaint.

The Californian is suing on the basis that the alleged tube was unsafely dirty and that his experience being cornered gave him post-traumatic stress and nightmares.

Srodon also claims he lost fillings and dental work because of the tube. The suit is reported to be seeking damages of more than $500,000, however the group reported that they have not been served papers as of Friday morning.

The Blue Man Group has a lot of audience participation as part of their show and is a Las Vegas fixture. The music and comedy group came to public consciousness around 2000.



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How to Select the Best Solar Panel Brisbane System for Home

by

Patrick Jackson

In this article, you can discover out how to select the greatest solar power system for house. Beforehand going any more, you should know that the top Solar panels Brisbane are for domestic home, whether you select on off grid solar equipment, off grid solar power structures and any other one, they should be actual multipurpose and provide the most effectual service.

The original home solar power systems have come to be more prevalent than the traditional systems. This is for the reason that they can assistance you to save money on regular power charges. Solar can as well provide significant backup for the duration of times while you have outages or if the leading resource is off.

Figure out anywhere to put the power system

While you are selecting a Brisbane solar panels for home, it is significant to think about the requirements of everybody in the house. For example, in maximum homes children will usage more electricity on vacations. Certain appliances will usage extra electricity than others will, thus if you buying a heater this could add to your regular payments. The solar producer systems considerably lower your energy bills basically by exchanging the leading power.

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There are certain other places to appearance to, also. Resident and state classified ads for firms, such as the Yellow Pages, can create all the change, and permit you to find Solar system in Brisbane for your household, at the greatest prices.

The internet though, is an inordinate resource to consider, and can sort all the change. If you actually hunger to save, then this is the greatest technique. I have found that they can exhausted even the particular stores that have these produces.

You powerfulness also usage external power by garage tools, in the allotment shed, hot tub and other. The multipart connection lines is not actually a good deal, so it is top to select standalone organizations if they are essential. In situation you are quick in a rural or a distant area, you will have difficulties with steady power supply, so it is greatest to select the solar systems.

Examine the right questions while you want to know how to select the greatest solar panels in Brisbane.

It is significant to permit some give to get extra power group when you essential it. Numerous new appliances could mark a big difference, for example, if you become a greater fridge, new air condition unit or a novel home acting system. You can nowadays soak for long hours in hot rinses or spa without sensation guilty that you are consecutively up the electricity bill. Solar power will assistance to advance your complete excellence of life.

Attainment the best prices and end consequences

Solar generation has come to be huge business international, which means that the marketplace is competitive and this will result in reasonable prices. Consequently, you should checked the different prices beforehand making your final choices. Look at the great quality systems first; these standard units will help you to select the top Solar panels Brisbane.

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Buffalo, N.Y. Hotel Proposal Controversy
Recent Developments
  • “120 year-old documents threaten development on site of Buffalo, N.Y. hotel proposal” — Wikinews, November 21, 2006
  • “Proposal for Buffalo, N.Y. hotel reportedly dead: parcels for sale “by owner”” — Wikinews, November 16, 2006
  • “Contract to buy properties on site of Buffalo, N.Y. hotel proposal extended” — Wikinews, October 2, 2006
  • “Court date “as needed” for lawsuit against Buffalo, N.Y. hotel proposal” — Wikinews, August 14, 2006
  • “Preliminary hearing for lawsuit against Buffalo, N.Y. hotel proposal rescheduled” — Wikinews, July 26, 2006
  • “Elmwood Village Hotel proposal in Buffalo, N.Y. withdrawn” — Wikinews, July 13, 2006
  • “Preliminary hearing against Buffalo, N.Y. hotel proposal delayed” — Wikinews, June 2, 2006
Original Story
  • “Hotel development proposal could displace Buffalo, NY business owners” — Wikinews, February 17, 2006

Monday, February 27, 2006

Buffalo, New York — Wikinews was the first to tell you that the Elmwood Village Hotel development in Buffalo, New York was to undergo “significant changes”.

The Elmwood Village Hotel is a proposed project that would be placed at Elmwood and Forest Aves. in Buffalo. In order for the development to take place, at least five buildings that house both businesses and residents, must be demolished.

To confirm and to get more information about the changes, Wikinews interviewed Eva Hassett, Vice President of Savarino Construction Services Corporation, the development company in charge of building the hotel.

Wikinews: The hotel proposal is being redesigned. Could you comment on that? What changes are being made? Are they significant?

Eva Hassett: The hotel has been resized as a 72-room, four story building. This is 10% smaller in number of rooms and a full story lower. We are also redesigning the facades in a way that will minimize the mass – more of a vertical feeling than horizontal. Different materials, windows, details. The smaller size of the hotel also makes the number of on-site parking spaces more appropriate and hopefully represents less of a challenge to an already difficult parking situation.

WN: Will you still be going before the city’s planning board as scheduled on February 28? Same for the Common Council?

Hassett: We will be on the Planning Board agenda this Tuesday morning but I do not expect that the Board will vote on the item that morning. I think we will be mainly explaining the new design and hearing input/questions.

WN: Will there be anymore public meetings?

Hassett: We would be happy to do one more big public meeting. We will be talking to Forever Elmwood about that on Monday (February 27, 2006). We would like to see if there is support for the new design and we also want to honor the public’s request for another meeting. I am hopeful that meeting can take place the week of March 6th.

WN: Is Savarino considering Mr. Rocco Termini’s design/proposal? If no, do you (Savarino) support/oppose?

Hassett: We are hopeful that we can build the hotel as redesigned. We think it would be a great addition to the Elmwood Ave. area, a good way for out-of-towners to see what Buffalo offers and a big help to the businesses there.

WN: Are you considering more time for the community to make a judgment?

Hassett: As I mentioned above, we expect to have one more meeting to get public reaction to the new design, and I think the Planning Board may want an additional meeting to make their determination. We do however, have constraints that will limit the amount of extra time. We still think it is a great project for the City and Elmwood; and we still want it to be something that the community wants as well.

So far, the City of Buffalo’s City Planning Board is still scheduled to meet at 8:00 a.m. (Eastern) on February 28, 2006 followed by the Common Council meeting at 2:00 p.m. on the same day.

Images of the design are not yet available. “We are working on the renderings this weekend, but I will likely have some early in the week,” stated Hassett.



Wednesday, February 14, 2007

A storm that has been passing through the midwest some parts of the nation will arrive in New England late tonight. This will be the first major snowstorm of the winter season for the northeast.

There is currently a winter storm warning for most of Massachusetts. It is predicted that there could be near-blizzard conditions in the morning. The storm is expected to bring several inches of snow to the area.

There are currently parking bans in effect in some areas of Massachusetts.



Monday, September 24, 2007

Russ Aegard is running for the Green Party of Ontario in the Ontario provincial election, in the Thunder Bay-Atikokan riding. Wikinews’ Nick Moreau interviewed him regarding his values, his experience, and his campaign.

Stay tuned for further interviews; every candidate from every party is eligible, and will be contacted. Expect interviews from Liberals, Progressive Conservatives, New Democratic Party members, Ontario Greens, as well as members from the Family Coalition, Freedom, Communist, Libertarian, and Confederation of Regions parties, as well as independents.



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The Wedding Dress Revealed

by

Farrah

Fashion Trends and Popular Styles and Colors.The Wedding Dress – How did it all begin?

Did you ever wonder how the tradition of wearing a wedding dress came about? Wedding dresses have been worn by brides young and old alike for centuries. In modern times almost anything passes for a wedding dress however, in times of old, traditional wedding dresses were flowing gowns usually white in color.

White is usually accepted as the “traditional” color of gowns, and many designer wedding gowns are still fashioned in this color, representing the “purity” and “innocence” of the bride to be. Many women opt for other colors, including blue, pink, cream, yellow and more.

Wedding dresses have changed with time much as everything in the world has. In times of old most women selected a gown based on her financial status. Women who were at an economic disadvantage usually did not have the luxury of selecting an extraordinary gown that would be worn only once. Rather, most selected something more “plain” that could be worn for church services and other occasions after their blessed day.

Wedding gowns of varying styles and colors were popular among the elite, and by and large represented the unique style and personality of the bride to be, as well as modern trends at the time.

Popular Colors

An old poem states about the color of a wedding dress that “Married in white, you will have chosen all right.” This is not to say that all brides historically have chosen white for their wedding gown. In fact, many brides chose colors including blue, pearl and even black. Many brides believed that if they wore blue their husbands would remain true to them (also a famous line in the wedding poem). Pink was even a popular wedding gown color for a time, though its darker variant, red was often considered taboo because it was associated with “scarlet women”.

Many women who did not have a large budget to spend on a wedding dress in times of old opted for fashions that could be worn any day, rather than solely on their wedding day. For their wedding day, they would dress up their gown with accessories and flowers, even bows that could be removed after the festivities.

Wedding Gown Fashion

In the United States for a short spell the color white fell out of favor, but around the time of the Industrial Revolution, when the department store made it possible for a bride with any budget to purchase the gown of her dreams, white once again became the fashion. The style worn by women has changed through time.

Wedding dresses fashioned during the Roaring twenties were very different from those that came about in the thirties. In the twenties, women sought out gowns that de-emphasized their shape, in line with the style of the flappers that was trendy at the time.

During the 30’s most women emphasized their shape and wore gowns that highlighted their waists and bosoms. Perhaps the most interesting period of time for the wedding gown was during the 1980s, when big puffy sleeves and extravagant skirts were worn by a majority of women. These gowns, while well suited for trim and petite women, often were not the most flattering choice for the average size woman. Despite this, gowns did not trim down again until the mid to late 1990s.

Wedding Gown Fashion Today

As mentioned at the start, almost anything passes for a wedding dress today. More and more women are buying a wedding dress online, because of the wide variety and selection of unique and custom made gowns available.

Informal wedding dresses, designer wedding dresses and even discount wedding dresses can all be found online thanks to modern technology. More popular than even designer wedding dresses are discount bridal gowns online. Most brides to be can purchase extravagant looking, custom made gowns for a fraction of the cost they would find them in a department store.

Another benefit of buying a wedding dress online is convenience. With so many things to plan for a wedding (location, cake, reception, flowers, invitations, rehearsal dinner etc.etc) most women appreciate having a handy resource for buying their wedding dress. Most women also find a wider selection of sizes and custom features available when they shop online vs. when they shop in a traditional store.

Trends

Trends have changed when it comes to modern wedding attire. No longer do all brides seek out a traditional white gown for their special occasion. In fact, there is a huge selection of vintage and informal wedding dresses available, many of which don’t even look like official wedding gowns.

Most dresses today focus on the unique personality of the bride rather than socially accepted “norms” when it comes to buying a wedding dress. In general many brides are looking for wedding gowns that are narrower than they have been in times of old, and those that offer clean silhouettes. These types of dresses usually lengthen the body and provide a slimming effect. Some more popular trends include the following:

A-line dresses that are long and slimming

Sheaths with trains built into the silhouette, so that it trails behind the bride

Bias-cut wedding gowns that follow the natural curves of the body, ending in a small flare at the bottom

Raised waistline ball-gown styles

Square necklines that provide a fresh open look

Off the shoulder dresses providing a full neckline

Sleeveless or cap sleeve gowns which are especially popular for summer brides

Empire waists which elongate the figure and shift the focus upward

Trends are also apparent with regard to fabrics. Satin and silk gowns have long been popular, though sheer fabrics are also becoming more trendy, including chiffon and organzas. Embroidery is also replacing lace for many modern gowns, and some brides are opting to accent their dresses with pearls and other quality beads.

No matter what style Wedding Gowns you choose, the most important thing is that you select one that makes you look good, feel good and happy on the most important day of your life. You’re sure to find a superb selection when shopping online.

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Friday, July 29, 2011

Today sees the reopening of the National Museum of Scotland following a three-year renovation costing £47.4 million (US$ 77.3 million). Edinburgh’s Chambers Street was closed to traffic for the morning, with the 10am reopening by eleven-year-old Bryony Hare, who took her first steps in the museum, and won a competition organised by the local Evening News paper to be a VIP guest at the event. Prior to the opening, Wikinews toured the renovated museum, viewing the new galleries, and some of the 8,000 objects inside.

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Dressed in Victorian attire, Scottish broadcaster Grant Stott acted as master of ceremonies over festivities starting shortly after 9am. The packed street cheered an animatronic Tyrannosaurus Rex created by Millenium FX; onlookers were entertained with a twenty-minute performance by the Mugenkyo Taiko Drummers on the steps of the museum; then, following Bryony Hare knocking three times on the original doors to ask that the museum be opened, the ceremony was heralded with a specially composed fanfare – played on a replica of the museum’s 2,000-year-old carnyx Celtic war-horn. During the fanfare, two abseilers unfurled white pennons down either side of the original entrance.

The completion of the opening to the public was marked with Chinese firecrackers, and fireworks, being set off on the museum roof. As the public crowded into the museum, the Mugenkyo Taiko Drummers resumed their performance; a street theatre group mingled with the large crowd, and the animatronic Tyrannosaurus Rex entertained the thinning crowd of onlookers in the centre of the street.

On Wednesday, the museum welcomed the world’s press for an in depth preview of the new visitor experience. Wikinews was represented by Brian McNeil, who is also Wikimedia UK’s interim liaison with Museum Galleries Scotland.

The new pavement-level Entrance Hall saw journalists mingle with curators. The director, Gordon Rintoul, introduced presentations by Gareth Hoskins and Ralph Applebaum, respective heads of the Architects and Building Design Team; and, the designers responsible for the rejuvenation of the museum.

Describing himself as a “local lad”, Hoskins reminisced about his grandfather regularly bringing him to the museum, and pushing all the buttons on the numerous interactive exhibits throughout the museum. Describing the nearly 150-year-old museum as having become “a little tired”, and a place “only visited on a rainy day”, he commented that many international visitors to Edinburgh did not realise that the building was a public space; explaining the focus was to improve access to the museum – hence the opening of street-level access – and, to “transform the complex”, focus on “opening up the building”, and “creating a number of new spaces […] that would improve facilities and really make this an experience for 21st century museum visitors”.

Hoskins explained that a “rabbit warren” of storage spaces were cleared out to provide street-level access to the museum; the floor in this “crypt-like” space being lowered by 1.5 metres to achieve this goal. Then Hoskins handed over to Applebaum, who expressed his delight to be present at the reopening.

Applebaum commented that one of his first encounters with the museum was seeing “struggling young mothers with two kids in strollers making their way up the steps”, expressing his pleasure at this being made a thing of the past. Applebaum explained that the Victorian age saw the opening of museums for public access, with the National Museum’s earlier incarnation being the “College Museum” – a “first window into this museum’s collection”.

Have you any photos of the museum, or its exhibits?

The museum itself is physically connected to the University of Edinburgh’s old college via a bridge which allowed students to move between the two buildings.

Applebaum explained that the museum will, now redeveloped, be used as a social space, with gatherings held in the Grand Gallery, “turning the museum into a social convening space mixed with knowledge”. Continuing, he praised the collections, saying they are “cultural assets [… Scotland is] turning those into real cultural capital”, and the museum is, and museums in general are, providing a sense of “social pride”.

McNeil joined the yellow group on a guided tour round the museum with one of the staff. Climbing the stairs at the rear of the Entrance Hall, the foot of the Window on the World exhibit, the group gained a first chance to see the restored Grand Gallery. This space is flooded with light from the glass ceiling three floors above, supported by 40 cast-iron columns. As may disappoint some visitors, the fish ponds have been removed; these were not an original feature, but originally installed in the 1960s – supposedly to humidify the museum; and failing in this regard. But, several curators joked that they attracted attention as “the only thing that moved” in the museum.

The museum’s original architect was Captain Francis Fowke, also responsible for the design of London’s Royal Albert Hall; his design for the then-Industrial Museum apparently inspired by Joseph Paxton’s Crystal Palace.

The group moved from the Grand Gallery into the Discoveries Gallery to the south side of the museum. The old red staircase is gone, and the Millennium Clock stands to the right of a newly-installed escalator, giving easier access to the upper galleries than the original staircases at each end of the Grand Gallery. Two glass elevators have also been installed, flanking the opening into the Discoveries Gallery and, providing disabled access from top-to-bottom of the museum.

The National Museum of Scotland’s origins can be traced back to 1780 when the 11th Earl of Buchan, David Stuart Erskine, formed the Society of Antiquaries of Scotland; the Society being tasked with the collection and preservation of archaeological artefacts for Scotland. In 1858, control of this was passed to the government of the day and the National Museum of Antiquities of Scotland came into being. Items in the collection at that time were housed at various locations around the city.

On Wednesday, October 28, 1861, during a royal visit to Edinburgh by Queen Victoria, Prince-Consort Albert laid the foundation-stone for what was then intended to be the Industrial Museum. Nearly five years later, it was the second son of Victoria and Albert, Prince Alfred, the then-Duke of Edinburgh, who opened the building which was then known as the Scottish Museum of Science and Art. A full-page feature, published in the following Monday’s issue of The Scotsman covered the history leading up to the opening of the museum, those who had championed its establishment, the building of the collection which it was to house, and Edinburgh University’s donation of their Natural History collection to augment the exhibits put on public display.

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Selection of views of the Grand GalleryImage: Brian McNeil.

Selection of views of the Grand GalleryImage: Brian McNeil.

Selection of views of the Grand GalleryImage: Brian McNeil.

Closed for a little over three years, today’s reopening of the museum is seen as the “centrepiece” of National Museums Scotland’s fifteen-year plan to dramatically improve accessibility and better present their collections. Sir Andrew Grossard, chair of the Board of Trustees, said: “The reopening of the National Museum of Scotland, on time and within budget is a tremendous achievement […] Our collections tell great stories about the world, how Scots saw that world, and the disproportionate impact they had upon it. The intellectual and collecting impact of the Scottish diaspora has been profound. It is an inspiring story which has captured the imagination of our many supporters who have helped us achieve our aspirations and to whom we are profoundly grateful.

The extensive work, carried out with a view to expand publicly accessible space and display more of the museums collections, carried a £47.4 million pricetag. This was jointly funded with £16 million from the Scottish Government, and £17.8 million from the Heritage Lottery Fund. Further funds towards the work came from private sources and totalled £13.6 million. Subsequent development, as part of the longer-term £70 million “Masterplan”, is expected to be completed by 2020 and see an additional eleven galleries opened.

The funding by the Scottish Government can be seen as a ‘canny‘ investment; a report commissioned by National Museums Scotland, and produced by consultancy firm Biggar Economics, suggest the work carried out could be worth £58.1 million per year, compared with an estimated value to the economy of £48.8 prior to the 2008 closure. Visitor figures are expected to rise by over 20%; use of function facilities are predicted to increase, alongside other increases in local hospitality-sector spending.

Proudly commenting on the Scottish Government’s involvement Fiona Hyslop, Cabinet Secretary for Culture and External Affairs, described the reopening as, “one of the nation’s cultural highlights of 2011” and says the rejuvenated museum is, “[a] must-see attraction for local and international visitors alike“. Continuing to extol the museum’s virtues, Hyslop states that it “promotes the best of Scotland and our contributions to the world.

So-far, the work carried out is estimated to have increased the public space within the museum complex by 50%. Street-level storage rooms, never before seen by the public, have been transformed into new exhibit space, and pavement-level access to the buildings provided which include a new set of visitor facilities. Architectural firm Gareth Hoskins have retained the original Grand Gallery – now the first floor of the museum – described as a “birdcage” structure and originally inspired by The Crystal Palace built in Hyde Park, London for the 1851 Great Exhibition.

The centrepiece in the Grand Gallery is the “Window on the World” exhibit, which stands around 20 metres tall and is currently one of the largest installations in any UK museum. This showcases numerous items from the museum’s collections, rising through four storeys in the centre of the museum. Alexander Hayward, the museums Keeper of Science and Technology, challenged attending journalists to imagine installing “teapots at thirty feet”.

The redeveloped museum includes the opening of sixteen brand new galleries. Housed within, are over 8,000 objects, only 20% of which have been previously seen.

  • Ground floor
  • First floor
  • Second floor
  • Top floor

The Window on the World rises through the four floors of the museum and contains over 800 objects. This includes a gyrocopter from the 1930s, the world’s largest scrimshaw – made from the jaws of a sperm whale which the University of Edinburgh requested for their collection, a number of Buddha figures, spearheads, antique tools, an old gramophone and record, a selection of old local signage, and a girder from the doomed Tay Bridge.

The arrangement of galleries around the Grand Gallery’s “birdcage” structure is organised into themes across multiple floors. The World Cultures Galleries allow visitors to explore the culture of the entire planet; Living Lands explains the ways in which our natural environment influences the way we live our lives, and the beliefs that grow out of the places we live – from the Arctic cold of North America to Australia’s deserts.

The adjacent Patterns of Life gallery shows objects ranging from the everyday, to the unusual from all over the world. The functions different objects serve at different periods in peoples’ lives are explored, and complement the contents of the Living Lands gallery.

Performance & Lives houses musical instruments from around the world, alongside masks and costumes; both rooted in long-established traditions and rituals, this displayed alongside contemporary items showing the interpretation of tradition by contemporary artists and instrument-creators.

The museum proudly bills the Facing the Sea gallery as the only one in the UK which is specifically based on the cultures of the South Pacific. It explores the rich diversity of the communities in the region, how the sea shapes the islanders’ lives – describing how their lives are shaped as much by the sea as the land.

Both the Facing the Sea and Performance & Lives galleries are on the second floor, next to the new exhibition shop and foyer which leads to one of the new exhibition galleries, expected to house the visiting Amazing Mummies exhibit in February, coming from Leiden in the Netherlands.

The Inspired by Nature, Artistic Legacies, and Traditions in Sculpture galleries take up most of the east side of the upper floor of the museum. The latter of these shows the sculptors from diverse cultures have, through history, explored the possibilities in expressing oneself using metal, wood, or stone. The Inspired by Nature gallery shows how many artists, including contemporary ones, draw their influence from the world around us – often commenting on our own human impact on that natural world.

Contrastingly, the Artistic Legacies gallery compares more traditional art and the work of modern artists. The displayed exhibits attempt to show how people, in creating specific art objects, attempt to illustrate the human spirit, the cultures they are familiar with, and the imaginative input of the objects’ creators.

The easternmost side of the museum, adjacent to Edinburgh University’s Old College, will bring back memories for many regular visitors to the museum; but, with an extensive array of new items. The museum’s dedicated taxidermy staff have produced a wide variety of fresh examples from the natural world.

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At ground level, the Animal World and Wildlife Panorama’s most imposing exhibit is probably the lifesize reproduction of a Tyrannosaurus Rex skeleton. This rubs shoulders with other examples from around the world, including one of a pair of elephants. The on-display elephant could not be removed whilst renovation work was underway, and lurked in a corner of the gallery as work went on around it.

Above, in the Animal Senses gallery, are examples of how we experience the world through our senses, and contrasting examples of wildly differing senses, or extremes of such, present in the natural world. This gallery also has giant screens, suspended in the free space, which show footage ranging from the most tranquil and peaceful life in the sea to the tooth-and-claw bloody savagery of nature.

The Survival gallery gives visitors a look into the ever-ongoing nature of evolution; the causes of some species dying out while others thrive, and the ability of any species to adapt as a method of avoiding extinction.

Earth in Space puts our place in the universe in perspective. Housing Europe’s oldest surviving Astrolabe, dating from the eleventh century, this gallery gives an opportunity to see the technology invented to allow us to look into the big questions about what lies beyond Earth, and probe the origins of the universe and life.

In contrast, the Restless Earth gallery shows examples of the rocks and minerals formed through geological processes here on earth. The continual processes of the planet are explored alongside their impact on human life. An impressive collection of geological specimens are complemented with educational multimedia presentations.

Beyond working on new galleries, and the main redevelopment, the transformation team have revamped galleries that will be familiar to regular past visitors to the museum.

Formerly known as the Ivy Wu Gallery of East Asian Art, the Looking East gallery showcases National Museums Scotland’s extensive collection of Korean, Chinese, and Japanese material. The gallery’s creation was originally sponsored by Sir Gordon Wu, and named after his wife Ivy. It contains items from the last dynasty, the Manchu, and examples of traditional ceramic work. Japan is represented through artefacts from ordinary people’s lives, expositions on the role of the Samurai, and early trade with the West. Korean objects also show the country’s ceramic work, clothing, and traditional accessories used, and worn, by the indigenous people.

The Ancient Egypt gallery has always been a favourite of visitors to the museum. A great many of the exhibits in this space were returned to Scotland from late 19th century excavations; and, are arranged to take visitors through the rituals, and objects associated with, life, death, and the afterlife, as viewed from an Egyptian perspective.

The Art and Industry and European Styles galleries, respectively, show how designs are arrived at and turned into manufactured objects, and the evolution of European style – financed and sponsored by a wide range of artists and patrons. A large number of the objects on display, often purchased or commissioned, by Scots, are now on display for the first time ever.

Shaping our World encourages visitors to take a fresh look at technological objects developed over the last 200 years, many of which are so integrated into our lives that they are taken for granted. Radio, transportation, and modern medicines are covered, with a retrospective on the people who developed many of the items we rely on daily.

What was known as the Museum of Scotland, a modern addition to the classical Victorian-era museum, is now known as the Scottish Galleries following the renovation of the main building.

This dedicated newer wing to the now-integrated National Museum of Scotland covers the history of Scotland from a time before there were people living in the country. The geological timescale is covered in the Beginnings gallery, showing continents arranging themselves into what people today see as familiar outlines on modern-day maps.

Just next door, the history of the earliest occupants of Scotland are on display; hunters and gatherers from around 4,000 B.C give way to farmers in the Early People exhibits.

The Kingdom of the Scots follows Scotland becoming a recognisable nation, and a kingdom ruled over by the Stewart dynasty. Moving closer to modern-times, the Scotland Transformed gallery looks at the country’s history post-union in 1707.

Industry and Empire showcases Scotland’s significant place in the world as a source of heavy engineering work in the form of rail engineering and shipbuilding – key components in the building of the British Empire. Naturally, whisky was another globally-recognised export introduced to the world during empire-building.

Lastly, Scotland: A Changing Nation collects less-tangible items, including personal accounts, from the country’s journey through the 20th century; the social history of Scots, and progress towards being a multicultural nation, is explored through heavy use of multimedia exhibits.



Wednesday, November 9, 2005

The Georgia police have called off the search for missing Irwin County school history teacher Tara Grinstead, after more than two weeks. Ocilla, Georgia Police Chief Billy Hancock is reported as saying that volunteers and public safety officials have completed their search of the county, a search that spanned 358 miles and that involved cadaver dogs, horses, helicopters, four-wheelers, people on foot, and the assistance of more than 50 public safety agencies.

Hancock is reported as saying that searchers found some clothes, but that there is no indication that they are actually Grinstead’s.

Grinstead, aged 30, was first reported missing on October 24, 2005. Her unlocked car was outside of her home, but, according to police reports, her pocketbook and keys were missing. She was last seen on October 22, 2005. Both the clothes that she was wearing when she was last seen and her cell phone were found at her home.

Anota Garris, Grinstead’s sister, has said that civilian searches will continue. A US$80,000 reward has been offered for her safe return.



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